O.S.T. Ostfriesennacht (V.Ö. 28.12.24)

“Ostfriesennacht": A world of sound full of intensity, emotions and moods
In the world of film music, there are composers who know how to tell stories with their sounds, and Hansjörg Kohli is undoubtedly one of them. With his new soundtrack for the film “Ostfriesennacht” from the Ostfriesland crime series, he takes us into a haunting soundscape that is both organic and hypnotizing. Kohli succeeds in capturing the essence of a mysterious murder case, fanning out the dark secrets of the villagers along with their inner demons and transforming everything into a musical experience that inevitably casts a spell over the listener.
The soundtrack is characterized by the use of alienated acoustic musical instruments which, in combination with analog synths and processed samples, create a dense, dark atmosphere. These soundscapes are not just background noise; they are vibrant and pulsating, as if they were part of the story themselves. Particularly noteworthy is the cello, which plays a central role in this work. It unfolds an original theme that slowly and insistently emerges, as if to reflect the deepest emotions of the characters.

Kohli knows how to create innovative, exciting textures contrasted by touching themes. The combination of melancholic melodies and raw, analog synthesizers creates a sense of urgency and depth. One finds oneself in a constant interplay between light and shadow, between hope and despair. This duality is not only reflected in the music, but also in the narrative that accompanies “Ostfriesennacht”.
“Ostfriesennacht” is more than just a soundtrack; it is an experience that appeals to the senses and stimulates the imagination. It takes the audience on a moving journey.